Ground Zero Plus 3(1988)

These are some of the earliest recordings on the Celestial Harp. They were mostly done in 1988! They were recorded onto 1/2 inch reel to reel format, and eventually converted into the digital used here.

Ground Zero Plus 2(1987)

These are some of the earliest recordings on the Celestial Harp. They were mostly done in 1987! They were recorded onto 1/2 inch reel to reel format, and eventually converted into the digital used here.

Ground Zero Plus 1(1986)

These are some of the earliest recordings on the Celestial Harp. They were mostly done in 1986! They were recorded onto 1/2 inch reel to reel format, and eventually converted into the digital used here.

Ground Zero (1985)

These are the first recordings on the Celestial Harp. The tuning system was experimental and a work in progress.
The focus of these recordings was to present various techniques of playing.

Explorations I on the Celestial Harp (1988)

Explorations I on the Celestial Harp

The Celestial Harp is an innovative new musical instrument.
This recording is an exploration into the musical potentials of the 72 stringed Celestial Harp.
The shape of an instrument conditions the attitude of the musician and the type of music played.

Credits and Way Out

This is the end clip of the video with the credits and a small trailer showing part of the drive out of the forest. You can get a sense of the isolation of Forest Woodhenge and the performance.

Galactic Presence

Chanting a sacred chant into the Celestial harp while playing on the strings representing the super galactic centre and other galactic clusters. The sounds Ha, Ri and Om were chanted melodically and then the strings were bowed replicating the melody of the chant. Chanting into the Celsetial Harp resonates the many strings and stimulates a chorus of harmonies.

Kuku

This was inspired by an African percussive work called Kuku. The rhythms were adapted to the melodies and strings of the Celestial Harp. This was explained as each musician was called in to play a part. The rhythms in African music are very specific and fit together in a poly rhythmical manner.