Leaving Home (1996)

It is difficult to imagine that so many different sounds can come from just one instrument being played at one time.

Return, The Turning Point (1994)

Return, The Turning Point is the name of an I Ching Hexagram. It implies the first moment of a significant change of direction, the first step in an adventure, the first sound after a period of silence. It represents a new era of Celestial Harp recording.

Live at Music Gallery (1992)

Live performance of the Celestial Harp at the Music Gallery in Toronto. Six musician worked on the pieces for six months to put this performance together. Robin Armstrong and Orest Tataryn began getting together in December, by March Brian Roche joined in and then Peter Elliott. Sharon Armstrong came in about a month before after just coming back from Ghana with her new drum. Sharon Wiener Joined in and finished the mix with her beautiful voice. We filled the Music Gallery and the performance was a big success. The live performance was recorded and this CD came into being.

Explorations VI on the Celestial Harp ( 1993)

This recording is an ongoing exploration into the music potentials of the Celestial Harp. The Celestial Harp contains the proportions inherent in a spiral, a circle and a square.

Explorations V on the Celestial Harp ( 1992)

This recording is an ongoing exploration into the musical potentials of the Celestial Harp. The Celestial Harp's 72 strings each have frets under them significantly increasing the number of notes and scales that can be played.

Explorations IV on the Celestial Harp ( 1991)

This recording is an ongoing exploration into the musical potentials of the Celestial Harp. The Celestial Harp's 72 strings radiate out from the centre and the musicians move around it. There is no beginning or end to it!

Explorations II on the Celestial Harp (1990)

This record is an ongoing exploration into the musical potentials of the Celestial Harp. The shape of an instrument conditions the attitude of the musician and the type of music played.